Wednesday, February 18, 2009
Thoughts on a Train
Resembling something like an Ancient Greek Archaeology professor at a local university, he waddles around the train station in his unpressed slate grey slacks, brown rubber soled shoes, red patterened bow tie and dark suede panama hat. He's carrying two overstuffed bags, one a briefcase with manilla file folders protruding and bent, the black leather looking older and more worn than Joan River's skin, the other a forest green traveling bag with distinguished leather accents and handles. His grey hair pokes out from under his hat and out from his ears, and his wire framed glasses sit on the end of his nose as he peers over them to read the board announcing the train arrivals. He's late, or so he thinks he is for his 12:25 Amtrak to DC. Bustling past me to the ticket window I can see the liver spots on his face and his cheeks folded down over his jowles, and his busted capillaries on the end of his nose creating an omnipresent pink glow from a few too many sips from his brandy snifter. Plenty of time to catch that train, Doc. I imagine he has a palatial lisp or some other speech impediment that keeps anyone from taking him too seriously except for himself. There is no band around his left finger, just the imprint of where it used to be, where it sat for so many years before his wife passed away or up and left him because she was sick of being less important to him than the unearthed sarcophogus featuring Mycean fertility goddesses.
Overtired and addle brained, I sit on the edge of something great or a vast nothingness wondering whether I should shut my eyes and let myself tumble into the abyss or hold out for the attitude, aptitude, or eptitude of forward motion. My heart is cold, glacial almost for lack of love, loss of love, lick it and your tongue will stick, love. The train horn tears through me ripping my body in half at least, leaving me in blood soaked fleshy bits all over where I once sat.
At 12:26 the Acela barrels past my Providence local train, hopefully everyone is on board.
Thursday, February 12, 2009
Who the Hell is St. Valentine anyway?

Saturday, February 7, 2009
The American Dream is no longer a savage journey, but just an old discotech
Ward! Beaver! Dinner's ready. We're having roast beef.
Sunday, February 1, 2009
White Women are Fragile Flowers
I'd like to thank Beyonce, or perhaps more appropriately her parents Matthew and Tina, for creating a beautiful woman, with curves and all, talented enough to fight the general portrayal of women in mainstream media as waifish toothpicks, flaunting all that is unfeminine and encouraging women and girls of all ages to fight their natural body growth in unhealthy ways thus keeping their body as childlike as possible. In doing some research on this particular post, as the video posted above (or the actual music video -which I couldn't embed) is what encouraged me to write this appreciative note regarding the ability to accept my own curves a bit more, lead me down a more racially diverse road than I expected to head. Initially, I thought simply that a woman with curves is a rarity in pop culture and I should interject my "thank you" when I feel so inclined, and while Beyonce is a beautiful woman, with hips and natural breasts, a small waist and gorgeous legs, she is also a woman of color and while that doesn't matter in the way I appreciate her beauty, it does exemplify the dichotemy of what is considered beautiful for white women and what is considered beautiful for women of color.
The passive, aggreable, and unthreatening version of a wilted flower portrayed by white women for so many years in Hollywood is what we can thank for the rise in the need of sizes like double zero, websites promoting anorexia, and "Best and Worst Beach Body" specials running year round reminding us that cellulite is not acceptable no matter who you are and is a far cry from the appreciation of a curvy body depicted in paintings of the Renaissance or Baroque eras. Tyra Banks, Beyonce, Jennifer Lopez, and Salma Hayek are all women with both breasts and hips who are considered beautiful by the mainstream but if you take a look at the white women considered beautiful, they're either Pamela Anderson-esque caractures of what women should be and plastic surgeon created cartoons, or they're like Angelina Jolie (who in my personal opinion was more attractive before she lost tons of weight), Rachel McAdams, Keira Knightly, Nicole Kidman or Jessica Alba, all of whom are certainly beautiful and I would give my right leg (but it'd probably take both legs for me to weigh enough to match any of their scales) to look like them, but none of them are women, even if I stopped eating for the next 4 months, I could ever be as small as. That's because I am a woman with breasts. I am a woman with hips. Granted, I could stand to lose some weight, but even at my most healthy, I'll never be a size zero. I'm simply not built that way.
There is hope, however, for white women in media to be portrayed as something other than a wilting, curveless, child-like nubiles or an overweight, sexless, unattractive secondary character. People like Christina Hendricks, of Mad Men, show that even white women can have curves, have breasts and hips and thighs and be considered attractive and not overweight.
Perhaps my post here is rambling and doesn't come to a concise point, but it's something I felt the need to touch on. My initial idea was to praise Beyonce for her fantastic body, her talent, her video etc, but had to acknowledge, as a white woman, that I should be able to be proud of the shape of my body as well, despite the fact that it is less accepted by mainstream media as typically beautiful.
Wednesday, January 28, 2009
The Unconsidered Ramifications of Suicide
When Jeanne Morsett was planning on killing herself, she probably thought about how it would affect her husband Gerald. She most likely took into consideration the impact it would have on her two sons and her daughter, probably even her granddaughter. I'm sure she thought about all of them and then disregarded how her death might affect them because her problems were clearly more important than the potential problems she could cause. She then proceeded to the Mansfield train station where she threw herself in front of an Amtrak Acela Express train headed from Boston to New York, traveling around 150mph, to end her life in one of the most gruesome and public manners plausible.
What Jeanne Morsett failed to factor into her unthinkably selfish act, or perhaps she did factor it in and decided to disregard it right along with the feelings of her family members was how her death would impact me. She didn't seem to care about how it would affect the cute blond girl in the blue wool coat who ended up calling 911. She didn't acknowledge the group of teenage children who were waiting for the train, or the man who first saw her heading for the tracks, or the conductor of the Acela, or any of the passangers on board. She didn't care about all the police and EMTs and firemen who could have been called away from someone who wanted to live. She didn't care that I'd have to be the one to see the remnants of her body lying less than 50 feet in front of me. She didn't care that I wouldn't be able to sleep for days after that or that everytime I shut my eyes all I could see was her torso and leg lying on the train platform. She didn't care that I wouldn't be able to ride the train for a while, or couldn't be at the train station without crying every time I heard "Train approaching, please stand behind the yellow line" or even more anytime another Acela blew through the station at an insane speed. She didn't care that even months later I can't watch anything bloody or greusome on television, or that the phrase "its like watching a train wreck" will never be the same for me. She didn't care that sometimes I still cry myself to sleep because of her and for all of that I hate her. I have so much anger towards someone I've never met which is clearly futile but I can't feel anything else about it. She was so selfish and hurtful to so many people and while I have nothing but the utmost sympathy for her family and loved ones, I have nothing but anger for her and I dare you to try and be angry at a dead person you've never met. It is probably one of the least productive things I've ever done.
Tuesday, January 27, 2009
The Perils and The Positives Pertaining to Facebook

Monday, January 26, 2009
Rocking "A Sleeping Giant"
Join me, friends, on my first foray into writing about music.If you like punk/rock music, please, I'm begging you, check out The Growlers. Made up of Rob Carmichael (vocals, guitar), John Beaudette (Guitar, Vocals), Marc Beaudette (Drums, Vocals), and Chris Moran (Bass, Vocals), this foursome of friends from New Hampshire, currently residing in Allston, MA, are coming out soon with their full length album "A Sleeping Giant" featuring their single "Smashed" (download it here).
My decision to write a little blurb about the band, who if you don't look closely could be mistaken for their other and currently more well known band, Destroy Babylon - same great musicians, very different vibe - comes after perusing their facebook page and coming across this video of what I can only assume to be one of Rob's least favorite songs, but even the Stones and Springsteen have to play their oldest hits, whether they're the artists favorites or not. (P.S. Rob is the lead singer with the sexy rock leg (but he's taken ladies, by a very hot, awesome, bandaid rocker chick named Magellan, so cool down).)
The first time I heard "Harvard Ave", I loved it. Granted it was years ago in a basement bedroom with Rob, our friend Tom, too much Johnny Cash and my first foray towards the bottom of a bottle of scotch, but either way, the way Rob was able to capture the vibe of anyone who spent part of their twenties crawling the streets of Allston searching for more than just their way home blew me away. The song itself is a testament to how the band has grown and developed its sound over the years as it's been tweeked and changed lyrically and instrumentally. Harmonies have been added, verses rewritten and if you ask me, the final product is significantly better than the original, although the original will always hold a special place in my overly-sentimental heart.
Their new single "Smashed" is an extension of the new version of "Harvard Ave". It exemplifies all of the growth the Growlers have gone through. Rob knows how to write a good song, his verses are thoughtful and well written, his hooks are catchy and on top of that, homeboy can sing. "Unholy Ends" brings in just a touch of their Destroy Babylon feel through the accompanying horns, but not so much that you could ever confuse where the two bands are coming from. With that said, and those two songs released, I'm looking forward to an entire album of tight rock music.
You can catch The Growlers:
Friday Feb 6th at Fontana's in NYC @ 9pm
Thursday Feb 12th at Baseball Tavern in Fenway @ 1opm
and Sunday March 1st at Great Scott in Allston, MA @ 9pm
Also listen on facebook and myspace